Designer: Pierre Paulin, 1966
Manufacturer: Vitra

The enthusiastic, progressive atmosphere of the 1960s and Pierre Paulin's sculptural training were influential factors in the design of the Ribbon Chair. The curving loops of its shape, covered in colourful upholstery fabrics or psychedelic patterns by Jack Lenor Larsen, give it a captivating, futuristic appeal. Pierre Paulin himself interpreted the Ribbon Chair as a "coup de pied à la lune". A famous advertisement shows the Ribbon Chair on a runway with a jet taking off above it.

The seat, backrest and armrests of the chair have a unified metal frame that is completely covered with foam upholstery and stretch fabric. The seat is mounted on a lacquered pedestal made of pressed wood. The de-velopment of the Ribbon Chair was facilitated by technological innovations during the Sixties, which led to the production of inexpensive synthetic foams. This period also saw the introduction of novel elastic fabrics that could be used to envelop a complex contoured shape without folds or intricate seams. The biomorphic, slightly resilient seat of the Ribbon Chair allows a wide variety of sitting positions and provides a high degree of seating comfort.

• Scale: 1:6, 128 x 118 x 170 mm
• Materials: Bent tubular steel frame, foam padding covered with two-way stretch fabric, lacquered pedestal made of form-pressed plywood, plastic glides
• Dimensions: H 5⅛" x W 6¾" x D 4¾"

MINIATURES COLLECTION

The collection of the Vitra Design Museum ranks among the most important holdings of furniture design worldwide. It contains some 7000 pieces of furniture, over 1000 lighting objects, and numerous archives, as well as the estates of such designers as Charles and Ray Eames, Verner Panton, and Alexander Girard.

Although the main museum building by Frank Gehry from 1989 was originally conceived to house the collection, the museum now utilises the space to stage major temporary exhibitions. To date, the museum’s collection has never been on permanent display.

For over two decades, the Vitra Design Museum has been making miniature replicas of milestones in furniture design from its collection. The Miniatures Collection encapsulates the entire history of industrial furniture design – moving from Historicism and Art Nouveau to the Bauhaus and New Objectivity, from Radical Design and Postmodernism all the way up to the present day.

Exactly one sixth the size of the historical originals, the chairs are all true to scale and precisely recreate the smallest details of construction, material and colour. The high standard of authenticity even extends to the natural grain of the wood, the reproduction of screws and the elaborate handicraft techniques involved. This has made the miniatures into popular collector's items as well as ideal illustrative material for universities, design schools and architects.

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